By Johnny Gordon, 02-May-2012 15:36:00
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By Johnny Gordon, 12-Mar-2012 15:29:00
We listen to a lot of music down here in The Basement. All kinds of stuff. It's not uncommon to hear anything from Frank Sinatra to Cake to Johnny Cash to The Beastie Boys blasting from any of the studios down here. What I've found to be the key is to make sure that you get to the studio before the flameworkers show up. This keeps us from having to listen to live shows of The Grateful Dead at incredible volumes or worse yet, NPR. (talk radio stomps out creativity. Even Science Friday, which I like- just not when I'm making stuff).
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By Johnny Gordon, 08-Mar-2012 20:18:00
Waiting. So much of this is hurry up and wait.
That's not to say that we're not busy. There's been a not so subtle shift in the work that the Studio has been going after. A change in focus from pursuing residential work to public work. This isn't to say that we've abandoned making things for the home- just that there was a realization that public work is just so much...fun.
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By Johnny Gordon, 20-Feb-2012 16:16:00
"Because I hated selling cars."
That's the answer I give when people ask me how I came to do this for a living. It's true. I was not a happy car salesman. I wasn't bad at it- I just felt like I was wasting so much time when I should be doing something I actually enjoyed. 50-60 hour weeks on a commission based salary selling Volvos to Long Islanders (I had to make up for selling KIA's to East Tenneseans) just didn't cut it.
So, I was whiny. Frequently whiny. To the point where my wife (Chandra) couldn't take it anymore.
"What do you want to do with your life?!"
I wonder if she regrets asking me that sometimes.
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By Johnny Gordon, 02-Dec-2011 02:37:00
Usually I don't have many problems with trying to convey my vision of what the window should be with the client who will own the piece (it is a discussion after all). It still takes a lot of trust on the client's side. It has taken me years to have an idea of what the finished piece will look like once it's set in its final place. Having someone come down to the studio to check on progress normally results in a lot of noises like, "uh, er.....are you sure?? I was hoping for more (color/light)." etc... Which I understand- normally I can only show what the window will look like on the light bench I have. Viewing a window lying on a light bench that's back lit with flourescent lights is kind of like looking at a cadaver. Textured clear glass doesn't show it's texture. Colored glass isn't quite right- everything is off just a little bit. There is no depth (this is a window after all). Also, there isn't any lead around the glass yet- and that makes a HUGE difference in how everything looks.
I try to explain all of this. It's difficult. You hafta trust me.
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Alabama Shakes- Boys and Girls
Jack White- Blunderbuss
Dr. Dog- Be the Void
First Aid Kit- The Lion's Roar
Django Django- Django Django
Release the Sunbird- Come Back To Us
The Lumineers- The Lumineers
The Rosebuds- Loud Planes Fly Low
Sugar & The Hi Lows- Sugar & The Hi Lows
Black Lips- Good Bad Not Evil
The Beets- Stay Home
Just a fella making stuff in The Basement.
(and trying to keep it that way).
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